(I Can't Get No) Satisfaction

Grateful Dead

No Grateful Dead recordings.

Rolling Stones

Single, Rolling Stones, 1965
Out Of Our Heads, Rolling Stones, 1965
Big Hits Vol 1 (High Tide and Green Grass), Rolling Stones, 1966
Got Live If You Want It, Rolling Stones, 1966
Gimme Shelter Soundtrack, Rolling Stones, 1970
Hot Rocks: 1964-1971, Rolling Stones, 1972
Milestones, Rolling Stones, 1972
Rolled Gold, Rolling Stones, 1975
Get Stoned, Rolling Stones, 1977
Singles Collection, Rolling Stones, 1980
Solid Rock, Rolling Stones, 1980
Still Life (American Concert 1981), Rolling Stones, 1982
Story Of The Stones, Rolling Stones, 1982
The Rolling Stones Singles Collection: The London Years, Rolling Stones, 1989
Flashpoint, Rolling Stones, 1991
Flashpoint plus Collectibles, Rolling Stones, 1991
Forty Licks, Rolling Stones, 2002

Others

This list is not intended to be comprehensive.

Drums á Go-Go, Sandy Nelson, 1965
Otis Blue/Otis Redding Sings Soul, Otis Redding , 1965
Single, Otis Redding, 1966
Just Like Us!, Paul Revere and The Raiders, 1966
Makin' Waves, George Semper, 1966
Memphis Gold, Various Artists (Otis Redding), 1966
Run Baby Run, Newbeats, 1966
Aretha Arrives, Aretha Franklin, 1967
Otis Redding Live in Europe, Otis Redding, 1967
History of Otis Redding, Otis Redding, 1967
Sax and the Single Girl, Charlie Chalmers, 1967
James Brown Show, James Brown, 1967
Otis Redding in Person at the Whiskey a Go-Go, Otis Redding, 1968
Outsideinside, Blue Cheer, 1968
Soul Party, Paul Nero, 1968
Shades of Rock, The Shadows, 1970
The Ventures Superpak, The Ventures, 1971
The Best of Otis Redding, Otis Redding, 1972
Bubblerock, 1974
The Legendary Otis Redding: His Greatest Recordings, Otis Redding, 1975
Satisfaction Soundtrack, Various Artists (Justine Bateman and Mystery), 1988
The Otis Redding Story, Otis Redding, 1989
Jagger/Richards Songbook, Various Artists (Otis Redding), 1991
The Complete Stax/Volt Singles 1959-1968, Various Artists (Otis Redding), 1991
Shadow Music/Shades of Rock, The Shadows, 1992
Monterey International Pop Festival Box Set, Various Artists (Otis Redding), 1992
Psychotic Reunion Live!, The Count Five, 1993

Live!: Standing Room Only, Outcasts, 1993
Trios, Rob Wasserman, 1994
End of the Beginning: The Best of Eddie & the Hot Rods, Eddie & the Hot Rods, 1994
Plays the Music of the Rolling Stones, London Symphony Orchestra, 1994
Paint It Blue: Songs of the Rolling Stones, Various Artists (Junior Wells), 1997
Ultimate Collection, Tom Jones, 1997
Plays the Rolling Stones, Innovations, 1998
Cover You: A Tribute to the Rolling Stones, Various Artists (Otis Redding), 1998
This Ain't No Tribute: Blues Cube, Various Artists (Junior Wells), 1999
As Years Go By, Various Artists (Bad Reaction), 1999
Pickin' on the Rolling Stones, Various Artists, 2000
The Reggae Rocks: The Tide Is High - A Tribute to Rock 'N' Roll, Various Artists (The Heptones), 2001
Paint It Black: A Reggae Tribute to the Rolling Stones, Various Artists (The Heptones), 2002
Sticky Bhangra: A Tribute to the Rolling Stones, Opium Jukebox, 2002
Get Your Rocks Off, Eddie & the Hot Rods, 2002
A Tribute to the Rolling Stones, Various Artists (Buddy Guy & Junior Wells), 2002
All Blues'd Up: Songs of the Rolling Stones, Various Artists (Junior Wells), 2003
Highway 60's 70's Blues Revisited, Various Artists (Junior Wells), 2003
Trilogy, Rob Wasserman, 2004
The Rolling Stones Project, Tim Ries, 2005
Wild Horses: A Rock and Roll Tribute to the Rolling Stones, Various Artists (Devo), 2005

Notes

First recorded by the Rolling Stones, for the Out Of Our Heads LP, first at the Chess Studios, Chicago, then at RCA Studios in Hollywood, in May 1965. It became the Stones first US No. 1 and their 4th No. 1 in UK. Subsequent recordings by the Stones include the Sept. 23rd 1966 live recording at the Royal Albert Hall, London used on Got Live If You Want It.

Keith Richards has said that the opening riff of Satisfaction was derived from Martha and The Vandellas version of Dancing In The Street. Another possible source of inspiration is the Chuck Berry song Thirty Days which includes the line, "I can't get no satisfaction from the judge."

Richards recalled the initial creation of the main riff, in Florida in 1965, as follows,

I woke up in the middle of the night. There was a cassette player next to the bed and an acoustic guitar. I pushed record and hit that riff for about a minute and a half, two minutes. Then I fell back to sleep.