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The Whole Burbank CatalogVarious ArtistsInitial release : 1972Warner Brothers PRO 512 A Warner Brothers loss leader sampler that includes one track from Garcia's first solo LP.
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Tracks / Musicians The tracks and performers on this compilation are as follows. Side 1: Funky Fruit:
For the compilation;
One of a large series of loss leader samplers produced by Warner Brothers in the early and mid 1970s. The liner notes explain the function and purpose of the release; Function The Whole Burbank Catalog functions as an evaluation and access device. With it the user should know better what is worth getting and where and how to do the getting. Also he should be inspired to go out and buy many of the record albums from which the selections that compose the catalog were excerpted. An item is listed in the Catalog if it is deemed;From the midst of the Grateful Dead comes Jerry Garcia, who has transported about as many people on the wings of his lyrical electric guitar as MacDonald's has sold hamburgers. The benign Mr. Garcia has been largely responsible for the current pedal steel guitar boom in rock music, the reason for which you can hear vividly on this track, a selection from his first solo album. Actually it's a solo album in concept only, for Jerry Garcia has too many musical companions to make lonesome music and solo in his case means just a bit more in front than usual. That'' him singing too. "The thing about music is that nobody listens to it unless it's real," Jerry told Guitar Player magazine. "I don't think you can fool anybody for too long in music. And you certainly can't fool everybody." Garcia has never made anything less than real music. In addition to the booklet the record sleeves display a view of Burbank in 1917 and information about other releases in the loss leader series. These samplers cost $2 when released, postage included. Many of these samplers were selected by Dr. Demento, who briefly comments on the series in the liner notes to Dr. Demento 25th Anniversary Collection; In December 1971 Steven Siegal landed a job at another L.A. station, KMET-FM. Once again he introduced me as a guest on his show, and KMET wound up hiring me as well, for Sunday evenings again. I would stay at KMET for the next 15 years, an eternity in the radio business, while KMET gradually tightened its format and became a legendary rock radio powerhouse. Shortly after joining KMET, I had my very first special guest on the show-Frank Zappa. Meanwhile, I got a day job at Warner Bros. Records, where I compiled a long series of sampler albums with titles like The Whole Burbank Catalog and Days Of Wine And Vinyl.The Whole Burbank Catalog was the first of these samplers to credit Dr. Demento. The Wheel is taken from;
Ukulele Lady by Arlo Guthrie was from an album in progress and had not been previously released. Sgt Preston of the Yukon was previously unreleased radio spot Manhattan Merry-Go-Round, Inner Sanctum and The Lone Ranger were released on Themes Like Old Times, Various Artists
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